Programme

Monday, November 9 and Tuesday, November 10 will be onsite at the Kyoto Research Park Building 1 and live-streamed online.
Wednesday, November 11 and Thursday, November 12 will be onsite at the Kyoto Research Park Building 1 only.
Friday, November 13 will be online only. All times are Japan Standard Time (UTC+9).


Conference Outline

Sunday, November 8, 2026Mon, Nov 9Tue, Nov 10Wed, Nov 11Thu, Nov 12Fri, Nov 13

Pre-Conference Event Venue: Future Hub, Kyoto University of Foreign Studies

This is a separate pre-conference event. Conference attendees can apply to attend here.

10:00-15:00: Pre-Conference Event: Future Hub Forum 2026

Hosted at the Future Hub housed in Kyoto University of Foreign Studies, this invitation-based unconference will bring together a small group of researchers, educators, technologists, and collaborators to explore the future of immersive learning, emerging media, and cross-organisational collaboration.

    10:00: Welcome & Networking Coffee
    10:30: Retrospective: Honouring the MAVR Decade
    11:00: Session Pitching
    11:30: Breakout Rounds
    12:30: Lunch
    13:30: Synthesis Session
    14:30: Closing & Commitments: Laying the New Network’s Foundations
    15:00: Forum Closes

    - further details

Conference Venue: Kyoto Research Park, Building 1

09:30: Conference Check-in & Coffee | Foyer (4F)

10:15-10:45: Welcome Address & Recognition of IAFOR Scholarship Winners | Science Hall (4F) & Online
Virgil Hawkins, IAFOR Research Centre & The University of Osaka, Japan

10:50-11:15: Keynote Presentation | Science Hall (4F) & Online
TikToking Ourselves to Death: Journalism in Japan in the Age of Social Media
David McNeill, University of the Sacred Heart, Japan
11:15-11:30: Q&A Session

11:35-12:00: Keynote Presentation | Science Hall (4F) & Online
A Storied Career: A Photo-Ethnographic Review of Rhetorical Communities
Thomas G. Endres, University of Northern Colorado, United States
12:00-12:15: Q&A Session

12:15-12:20: Conference Photograph

12:20-14:30: Extended Break

14:30-15:30: The Forum | Science Hall (4F)
Storytelling in Times of Crisis
Virgil Hawkins, IAFOR Research Centre & The University of Osaka, Japan (Respondent)
Apipol Sae-Tung, IAFOR, Japan (Moderator)

The Forum is a plenary session designed as a platform for international, intercultural, interdisciplinary – and inclusive – discussions, joining experts and practitioners in an open dialogue format. Come share your thoughts and experiences as global educators and researchers.

15:30-16:00: Cultural Presentation | Science Hall (4F)
The Sound & Spirit of the Japanese Shamisen
Renowned performer and teacher Kuniaki Matsunaga (KUNIAKI) brings the shamisen’s rich history and vibrant sound to life.

16:15-17:15: Welcome Reception & Conference Poster Session | Atrium (1F)

19:00-21:00: Conference Dinner | Yachiyo Nanzenji
This is a ticketed event

Conference Venue: Kyoto Research Park, Building 1

09:00: Conference Check-in | Foyer (4F)

09:10-09:55: Conference Orientation for First-Time Presenters | Science Hall (4F)
Mark Kenneth Camilling, IAFOR, Japan
Briar Pelletier, IAFOR, Japan

This session provides an overview of what to expect at the conference, including guidance on preparing your presentation, publishing opportunities, and ways to engage with IAFOR.

10:00-10:50: Featured Workshop | Science Hall (4F)
Luck Is a Skill: A Real-Time Framework for Navigating Uncertainty and Creating Better Outcomes
Krystal Chryssomallis, Photographer and Cultural Producer, United States

10:50-11:20: Extended Coffee Break | Foyer (4F)

11:20-12:35: Onsite Parallel Session 1
Room A (4F): KAMC | Sociology and Politics
Room B (4F): KAMC | Language and Cultural Studies
Room C (4F): KAMC | Development Issues in Design and Communication
Room D (4F): KAMC | Arts and Ageing Studies
Room G (4F): KAMC | Negotiating Cultural Authority in Contemporary Southeast Asia: Ethnic Resistance, Digital Governance, and Heritage Politics (Symposium)

12:35-13:50: Extended Break

13:50-15:05: Onsite Parallel Session 2
Room A (4F): KAMC | Culture in Architecture and Urban Studies
Room B (4F): KAMC | Language and Communication
Room C (4F): KAMC | Communication, Education and Pedagogy
Room D (4F): KAMC | Communication and Differences
Room G (4F): KAMC | Designing the Modern: Japanese Crossovers in Indian Visual Culture (Panel)

15:05-15:20: Coffee Break

15:20-17:00: Onsite Parallel Session 3
Room A (4F): KAMC | Gender, Identity and Culture
Room B (4F): KAMC | Media in Language and Cultural Studies
Room C (4F): MediAsia | Media and Communication Technology
Room D (4F): MediAsia | State, Journalism and Communication
Room G (4F): KAMC | Visual Culture

Conference Venue: Kyoto Research Park, Building 1

09:00: Conference Check-in | Foyer (4F)

09:30-11:10: Onsite Parallel Session 1
Room A (4F): KAMC | Cultural Studies
Room B (4F): MediAsia | Communication and Politics
Room C (4F): MediAsia | Film Criticism and Theory
Room D (4F): KAMC | Media Studies and Sociology
Room G (4F): KAMC | Education, Pedagogy and Communication

11:10-11:40: Extended Coffee Break | Foyer (4F)

11:40-12:55: Onsite Parallel Session 2
Room A (4F): KAMC | Literature and Performances in Cultural Studies
Room B (4F): KAMC | Design and Care
Room C (4F): KAMC | Film Studies
Room D (4F): KAMC | Politics and Philosophy
Room G (4F): KAMC | Education/Pedagogy

12:55-13:10: Break

13:10-14:50: Onsite Parallel Session 3
Room A (4F): KAMC | Cultural and Media Studies
Room B (4F): KAMC/MediAsia | Sustainability in Arts, Media and Culture
Room C (4F): MediAsia | Communication Theory and Methodology
Room D (4F): KAMC | Media Studies
Room G (4F): KAMC | Literature, Language and Cultural Studies

14:50-15:20: Extended Coffee Break | Foyer (4F)

15:20-17:00: Onsite Parallel Session 4
Room A (4F): KAMC | Cultural Studies
Room B (4F): MediAsia | Social Media and Communication Technology
Room C (4F): MediAsia | Film Criticism and Theory
Room D (4F): KAMC | AI in Media Studies

Conference Venue: Kyoto Research Park, Building 1

09:00: Conference Check-in | Foyer (4F)

09:15-10:55: Onsite Parallel Session 1
Room A (4F): KAMC | Aesthetics and Design
Room B (4F): KAMC/MediAsia | Advertising, Marketing and Public Relations
Room C (4F): MediAsia | Journalism
Room D (4F): KAMC/MediAsia | Performances in Critical and Cultural Studies
Room G (4F): KAMC | Digital Humanities, Culture and Communication

10:55-11:10: Coffee Break | Foyer (4F)

11:10-12:50: Onsite Parallel Session 2
Room A (4F): KAMC | Visual Culture
Room B (4F): MediAsia | Advertising, Marketing and Public Relations
Room C (4F): MediAsia | Film Criticism and Theory
Room D (4F): MediAsia/KAMC | Visual Communication in Media and Literature
Room G (4F): KAMC | Digital Humanities and the Arts

12:50-13:10: Onsite Closing Session | Room G (4F)

Conference Venue: Online via Zoom

10:00-10:05: Message from IAFOR

10:05-11:05: The Forum (Online) | Live-Stream Room 2
Storytelling in Times of Crisis
Briar Pelletier, IAFOR, Japan (Online Moderator)

The Forum is a plenary session designed as a platform for international, intercultural, interdisciplinary – and inclusive – discussions, joining experts and practitioners in an open dialogue format. Come share your thoughts and experiences as global educators and researchers.

11:05-11:20: Break

11:20-13:00: Online Parallel Session 1
Live-Stream Room 2: KAMC/MediAsia | Cultural Studies and Communication
Live-Stream Room 3: KAMC/MediAsia | Digital Humanities
Live-Stream Room 4: KAMC | Literature, Literary Studies and Theory

13:00-13:10: Break

13:10-14:25: Online Parallel Session 2
Live-Stream Room 2: MediAsia | Film Criticism and Theory
Live-Stream Room 3: KAMC/MediAsia | Visual Culture
Live-Stream Room 4: KAMC | Area Studies

14:25-14:35: Break

14:35-15:50: Online Parallel Session 3
Live-Stream Room 2: KAMC/MediAsia | Communication and Politics
Live-Stream Room 3: KAMC/MediAsia | Gender in Media and Films
Live-Stream Room 4: KAMC | Cultural Studies

15:50-16:00: Break

16:00-17:40: Online Parallel Session 4
Live-Stream Room 2: KAMC | Film Studies
Live-Stream Room 3: KAMC | Education/Pedagogy
Live-Stream Room 4: KAMC | Arts and Culture

17:40-17:45: Message from IAFOR


Featured Speakers

  • Krystal Chryssomallis
    Krystal Chryssomallis
    Photographer and Cultural Producer, United States
  • Thomas G. Endres
    Thomas G. Endres
    University of Northern Colorado, United States
  • Virgil Hawkins
    Virgil Hawkins
    Osaka University, Japan
  • David McNeill
    David McNeill
    University of the Sacred Heart, Japan


Featured Presentations

  • The Forum: Storytelling in Times of Crisis
    The Forum: Storytelling in Times of Crisis
    Come share your thoughts and experiences as global educators and researchers.
  • TikToking Ourselves to Death: Journalism in Japan in the Age of Social Media
    TikToking Ourselves to Death: Journalism in Japan in the Age of Social Media
    Keynote Presentation: David McNeill
  • A Storied Career: A Photo-Ethnographic Review of Rhetorical Communities
    A Storied Career: A Photo-Ethnographic Review of Rhetorical Communities
    Keynote Presentation: Thomas G. Endres
  • Luck Is a Skill: A Real-Time Framework for Navigating Uncertainty and Creating Better Outcomes
    Luck Is a Skill: A Real-Time Framework for Navigating Uncertainty and Creating Better Outcomes
    Featured Workshop Session: Krystal Chryssomallis


*Please be aware that the above schedule may be subject to change.


Important Information Emails

All registered attendees will receive an Important Information email and updates in the run-up to the conference. Please check your email inbox for something from "iafor.org". If you can not find these emails in your normal inbox, it is worth checking in your spam or junk mail folders as many programs filter out emails this way. If these did end up in one of these folders, please add the address to your acceptable senders' folder by whatever method your email program can do this.

Conference Programme & Abstract Book

The online version of the Conference Programme is now available to view below via the Issuu viewing platform. Alternatively, download a PDF version. The Conference Programme can also be viewed on the Issuu website (requires a web browser). An Issuu app is available for Android users.

The Conference Programme contains access information, session information and a detailed day-to-day presentation schedule.


Virtual Presentations



Accepted Presentations

One of the greatest strengths of IAFOR’s international conferences is their international and intercultural diversity. As of September 4, 2026, MediAsia2026 has received over 270 submissions from 57 countries and territories - including: Australia, Indonesia, Japan, Malaysia, Philippines, Singapore, South Korea, Taiwan, the United States, and Vietnam.

Previous Programming

View details of programming for past MediAsia conferences via the links below.

Krystal Chryssomallis
Photographer and Cultural Producer, United States

Biography

Krystal Chryssomallis is an internationally recognised photographer, cultural producer, visual storyteller, and educator whose work is devoted to amplifying the good through stories and experiences that foster trust, empathy, connection, and lived impact.

Over the past two decades, her work has taken her across more than 60 countries, shaping global productions, large-scale live events, and international storytelling initiatives, including projects staged at six UNESCO World Heritage sites. Her collaborations span global brands, humanitarian initiatives, and institutional partners, including UNICEF, NASA, PBS, Boeing, IMAX, Disney, FIFA, and the World Wildlife Fund. Her fine art photography translates this global experience into enduring works held in private collections, cultural institutions and hospitality environments, including an exhibition at Xposure in Sharjah, UAE.

She has also served as a judge for the Travel Photographer of the Year Awards and The Drum Awards, and as a Panda Ambassador for WWF. Across her work in cultural production, photography, storytelling, education, humanitarian advocacy, and social impact, she explores how perception shapes human connection, decision-making, creativity, adaptability, and meaningful action across language, culture, and difference.

She has recently served as a judge for the Travel Photographer of the Year Awards and has been preparing to travel to Sri Lanka, serving as a mentor for this year’s winners. War intervened, so those plans have changed, and she is now preparing a masterclass via Zoom. See Krystal’s photography portfolio at: https://www.krystalan.com/portfolio

Workshop Presentation (2026) | Luck Is a Skill: A Real-Time Framework for Navigating Uncertainty and Creating Better Outcomes
Thomas G. Endres
University of Northern Colorado, United States

Biography

Thomas G. Endres is Professor of Communication Studies at the University of Northern Colorado, United States, where he teaches courses in communication theory, popular culture, group dynamics, and leadership. In a career marked primarily by administrative responsibilities, he found time to conduct research using Bormann’s Symbolic Convergence Theory (SCT) to identify the use of stories in creating rhetorical communities. He is author and photographer of Sturgis Stories: Celebrating the People of the World’s Largest Motorcycle Rally (Kirk House, 2002) and My Costume, Myself: Celebrating Stories of Cosplay and Beyond (Kirk House, 2001, 2023) and co-author, with Deanna D. Sellnow, of The Rhetorical Power of Popular Culture: Considering Mediated Texts, 4th ed. (Sage, 2023). His updated essay on SCT will appear in the forthcoming 2nd edition of Wiley-Blackwell's The International Encyclopedia of Communication Theory and Philosophy. He has delivered more than 250 presentations, workshops, and keynote addresses across the United States (including Alaska, Hawaii, and Puerto Rico) and abroad, including presentations in Austria, China, the Czech Republic, Japan, Spain, Thailand, Türkiye, and the United Kingdom.

Keynote Presentation (2026) | A Storied Career: A Photo-Ethnographic Review of Rhetorical Communities

Previous Presentations

Keynote Presentation (2022) | Costume Conversations: Resilience and Representation in Cosplay and Beyond
Virgil Hawkins
Osaka University, Japan

Biography

Dr Virgil Hawkins is a professor specialising in world affairs and the news media, and is based at the Osaka School of International Public Policy (OSIPP), The University of Osaka, Japan. He obtained his PhD in International Public Policy from OSIPP, where he focused on international politics, conflict, the UN Security Council, and the news media. He proceeded to work for five years for a non-governmental aid organisation, primarily in Cambodia and Zambia, before returning to the university as a faculty member. He has written and edited a number of books, including Stealth Conflicts: How the World’s Worst Violence is Ignored (2008), and Communication and Peace: Mapping an Emerging Field (co-edited, 2015). His work focuses on furthering our understanding of how and why the vast majority of the world remains relatively uncovered by the news media.

To these ends, Professor Hawkins has since shifted his focus to work at a more practical level. He co-established the Southern African Centre for Collaboration on Peace and Security (SACCPS) [http://saccps.org/] in 2010, which is a network that has brought together researchers and practitioners working on these issues throughout the region. He went on to establish Global News View (GNV) [http://globalnewsview.org/], a large-scale media project that analyses trends and deficiencies in the world news coverage by the Japanese news media, and attempts to compensate for those deficiencies by providing analysis on undercovered global issues.

The Forum (2026) | TBA

Previous MediAsia Presentations

Featured Panel Discussion (2025) | Japanese Newspaper Coverage of the World

Featured Panel Discussion (2024) | Media and Power in the Asia-Pacific: IAFOR Global Fellows and IAFOR Research Centre Panel Discussion

Featured Panel Presentation (2023) | International News Coverage and The Role of Independent Media
Featured Presentation (2019) | Climate Coverage: Getting More and Getting it Done Right
Featured Presentation (2017) | Introduction of Osaka University’s Global News View Database
David McNeill
University of the Sacred Heart, Japan

Biography

Dr David McNeill was born in the United Kingdom and raised in Ireland. He was awarded his PhD from Napier University in Edinburgh in 1998. He has since taught at universities in Ireland, the United Kingdom, China, and Japan, and is currently Professor of Liberal Arts at the University of the Sacred Heart, Japan. He is an editor and board member of the Asia-Pacific Journal: Japan Focus, was previously a correspondent for The Independent, The Economist and The Chronicle of Higher Education, and a columnist for The Mainichi Shimbun and The Japan Times. Dr McNeill is a long-time member of the Foreign Correspondents’ Club of Japan and currently edits No1 Shimbun, the FCCJ’s house magazine, while also serving as co-chair of the FCCJ’s Freedom of the Press Committee. He is co-author of Strong in the Rain: Surviving Japan's Earthquake, Tsunami and Fukushima Nuclear Disaster (Palgrave Macmillan 2012) and Japanese Rebels: Non-conformists in a Conformist Society (Routledge, 2026).

Keynote Presentation (2026) | TikToking Ourselves to Death: Journalism in Japan in the Age of Social Media
The Forum: Storytelling in Times of Crisis
Come share your thoughts and experiences as global educators and researchers.

Journalism is experiencing a crisis in many parts of the world, although the precise form of that crisis differs across countries and media systems. Common concerns may include declining public trust, political interference, threats to press freedom, financial instability, weakening of local journalism, misinformation, harassment of journalists, inadequate diversity, technological disruption, and difficulty reaching audiences in an increasingly fragmented media environment.

Ultimately, the crisis of journalism can be seen as a broader crisis of storytelling: a crisis of the stories through which we make sense of the present and imagine the future. Overwhelmed by information and a constant stream of polycrisis-related news, we struggle collectively to find meaning and increasingly dissociate from collective life. Who has the power to tell stories, and whose stories are told, has always been a challenge for journalism and media, but now, this challenge is magnified.

How can we challenge dominant narratives, ensure marginalised voices are heard, and tell stories that help people make sense of the world, trust again, and connect with each other, in a fragmented media landscape often influenced by those in power? The Forum session at KAMC/MediAsia2026 invites participants to explore how journalism worldwide can rethink storytelling and represent global realities.

Read presenters' biographies
TikToking Ourselves to Death: Journalism in Japan in the Age of Social Media
Keynote Presentation: David McNeill

In November 2024, Motohiko Saito was re-elected governor of Hyogo Prefecture, Japan, an apparently unremarkable event that portends a major shift in the media. Saito quit after a unanimous no-confidence motion over workplace bullying. Lacking any political backing, he was criticised for months in the legacy media. Yet, he won 250,000 more votes than his previous election in 2021. Political comebacks of this kind in the face of a hostile press are exceptionally rare in Japan: the only other governor since 1945 to return to office following a no-confidence motion was Yasuo Tanaka in 2002. Saito’s secret weapon was social media. An NHK survey found that 30% of voters relied on YouTube and other video-sharing sites to source their information, 6% higher than either newspapers or television.

It will take time to digest the historical import of the Hyogo election, but there can be little doubt about one underlying truth: the ability of the once all-powerful Japanese media to shape political narratives is declining. The young have largely abandoned their parents’ habit of reading a newspaper every day and shun television for social media. Politicians such as Saito, Shinji Ishimaru, the surprise runner-up in the 2024 Tokyo gubernatorial election, and Prime Minister Sanae Takaichi have taken note.

Read presenter's biography
A Storied Career: A Photo-Ethnographic Review of Rhetorical Communities
Keynote Presentation: Thomas G. Endres

How do stories create communities? In an era where AI can increasingly produce convincing simulations of lived human experience, this question takes on new significance, reminding us of the importance of attending to human experience as it is lived, remembered, communicated, and shared.

This keynote presentation examines four decades of research applying Bormann’s Symbolic Convergence Theory (SCT) to the stories and narratives through which rhetorical communities form. This retrospective highlights three major photo-ethnographic projects focused on distinct communities: motorcyclists and bikers, tattooed people, and cosplayers and costume enthusiasts. The talk explores how personal experience becomes narrative, how narratives circulate within communities, and how shared stories create connections among people through photographs and the favourite stories shared by projects’ participants.

As AI becomes increasingly capable of producing convincing simulations of human experience, this keynote argues that scholars must remain committed to studying the authentic intelligence of human beings. The lived experiences, memories, stories, and relationships through which communities are created and sustained are vital in chronicling and sustaining the lived communities we research, promote, and distribute through media and the arts. This talk also features related investigations in Japanese research that focus on narratives through which people make meaning of their lives within communities.

Read presenter's biography
Luck Is a Skill: A Real-Time Framework for Navigating Uncertainty and Creating Better Outcomes
Featured Workshop Session: Krystal Chryssomallis

At a time of rapid technological, social, environmental, and cultural change, leaders, educators, artists, media professionals, and students are increasingly asked to make decisions in uncertain conditions. When something unexpectedly good happens: a right opening appears, a valuable connection is made, or a creative choice leads to an unforeseen outcome. We often call it ‘luck’.

Through years of producing worldwide events and cultural experiences, internationally renowned photographer and cultural producer Krystal Chryssomallis began to notice that these moments were not as random as they appeared. Working with governments, international artists, global institutions, and local communities, she observed how people navigated uncertainty and responded to unexpected opportunities. These observations became the basis for the Mirror Method™, a real-time framework for strengthening perception, recognising possibilities, and creating better outcomes when the path is still unfolding.

In this featured workshop session, the Mirror Method™ will be introduced through examples and photographs from her global cultural work before guiding participants through a practical scenario in which they can experience how a shift in perception changes what they notice, how they interpret a situation, and what options become available.

The session will explore how the framework can support adaptability, creative confidence, human-centred leadership, meaningful storytelling, and opportunity recognition across cultural, academic, leadership, and humanitarian contexts. The approach also connects with the concept of Adaptability Quotient (AQ), the capacity to respond constructively to uncertainty, change, and complexity, by offering participants a practical framework they can apply when adaptability is most needed. Participants will leave with a Mirror Method™ practice they can apply immediately to a real-world situation, and with a clearer understanding of how perception shapes decision-making and action in uncertain environments.

Read presenter's biography